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Parma - History |
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From the historian Titus Livius we know that the colonies of Modena and Parma were founded on the Via Emilia by bringing two thousand Roman family heads led by the triumvirates M. Emilius Lepidus, T. Ebutius Carus, and L. Quintus Crispinus. According to Livius there were very few traces both of a Gallic civilization and of a supposed earlier Etruscan occupation. Probably the name of the river which divides Parma into two parts from north to south and from which the Romans derived the name of this colony, may confirm the assumption of an Etruscan cultural penetration into the territory surrounding Parma. The Romans reclaimed the plain surrounded by three rivers (Enza, Po, Taro), which was once covered by forests and bogs with few cultivated areas. The first plan of the city complies with the traditional system of orthogonal axes. The main road of the "centuriatio" of Parma coincides with the Via Emilia, of which there is evidence in the stone bridge, built on the river Parma, probably during the Augustan reconstruction of the Via Emilia, and the "cardum" has become the present Via Cavour and Via Farini. Since the imperial age, the Roman town had a forum (in the present Piazza Garibaldi), a theatre (Piazzale S. Uldarico), an amphitheatre, thermal buildings, a temple, a basilica, and water supply. During the nineteenth century and in recent archaeological excavations, remains of rich and modest houses were brought to light, which is evidenced by numerous floors including mosaics. In the middle years of the Empire there was a period of crisis in the local economy of sheep breeding which, according to the sources, gave rise to a series of handcrafts. The town became depopulated and it was only during the life-time of King Theodoric (454-526) that there emerged a few signs of recovery. Later the town came under Byzantine rule (553-568) and was called Crisopoli but we do not know whether this name derived from the richness of its soil or from the fact that the town was a financial centre for the military. After the Longobard invasion (568-569), which deeply changed the territorial arrangement in Emilia, Parma became an important garrison, of which significant archaeological remains have been found. Parma lost and regained its identity many times. It became the chief centre of the Frankish rule when the main features of the original urban plan began to disappear. Since Charlemagne had neither abolished nor unified the ancient laws, completely different traditions and cultures survived for centuries until they found their unification at the time of the free cities.
When Frederick II was defeated in 1248, Parma established its first republican government with its seat in the Piazza nuova (now Piazza Garibaldi) where Torello da Strada, first Podesta' of Parma in 1221, ordered the construction of the Palazzo Comunale (the Town Hall). All this caused dissensions backed by the local noble families. After numerous struggles for supremacy and power, in 1335, after the fall of the Free City Government, Parma passed under the rule of Luchino Visconti and then of Filippo Maria Visconti (1420). After a short period of independence the city passed under the control of the Sforza Family, followed by that of the French and then of the Church.
With the Treaty
of Aachen, the duchy of Parma was given to Don Filippo Bourbon, who was the second son of Elisabetta Farnese and Philip V of Spain. He married
Louise Elisabeth Louis XV's daughter, a woman accustomed to the pleasures of
Versailles. They inherited a duchy in economic decay with bare and neglected palaces,
but they chose intelligent and skilled ministers, artists and architects with
enlightened ideas and so Parma began to thrive again with the newest ideas of European culture.
The Don Filippo
founded the Palatine Library which was greatly developed by Paolo Maria
Paciaudi, who, in a few years, acquired 40,000 volumes. He also founded
the Accademia di Belle Arti (Fine Arts Academy), which every year organized
international sculpture, architecture, and painting competitions, attended by young
artists from all over Europe (young Goya was one of them). The duke also promoted archaeological Restoration began with the usual lack of foresight and political ability. After Ferdinando's death, Parma was ruled by Moreau de Saint Mery, who had been appointed by Napoleon. He attempted to re-organize the finances and the city administration, which in 1814, passed to Marie Louise of Austria, Napoleon's second wife, whose reign lasted till 1847. These were thirty important years in the life of the duchy which became and international meeting place for new ideas. The new idea of independence, developing and spreading all over Italy developed and spread also in Parma. The last duke Carlo III Bourbon, was stabbed (1851) in the city centre during his daily walk. He left to his wife, Louise Marie of Berry, the task of ruling his stormy state troubled by struggles for independence. Finally in March 1860 a plebiscite decided that Parma should be annexed to Piemonte. When in August 1922 Italo Balbo and his fascist squads left from Romagna to take over the political power in Italy, only one city in the region rose against him and organized a heroic resistance: it was Parma, which even today remembers those events as the days of "Barricades of Oltretorrente", which are among the noblest facts in its eventful history. |
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