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Florence - History |
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Florence became then a common and fought the nearby city of Fiesole, which was besieged and partially destroyed. Florence's importance grew despite the inner fight between Guelfi (supporting the Pope) and Ghibellini (supporting the German Emperors). The birth of the Fat People, backed up by the Guelfi, brought then a policy of battle for supremacy with the nearby commons. The economic development brought new classes to birth: entrepreneurs, traders, and bankers who formed the "Major Arts" which by the end of the century, were to determine the power of the Commons. Population increased substantially. The domination of the bourgeois classes was menaced by the severe crisis caused to Florence by the default payment of the loans it had given to the king of Neaples and to Great Britain. After the domination of the Duke of Athens, by the half of the century, and the pest of 1348, there were some riots among the lower class.
The arrival of Carlo V° of Spain in Italy caused a riot followed by the return of the throne to the Medici family. City life progressively lost its initial momentum; the city ended its expansion and the Grand Duchy, from commercial power, became agricultural. The Grand Duchy was upheld by the Asburgo-Lorena, who, with Pietro Leopoldo boosted the economy with some reforms. After the French domination between '700 and '800, the Lorena reclaimed Chiana and Maremma. In 1293, the Florentine Republic, at the suggestion of the notary Ser Mino de Cantoribus, decided to replace Santa Reparata with a larger and more magnificent cathedral, and was also prepared to finance its construction: "so that the industry and power of man are unable to invent or ever attempt again anything that is larger or more beautiful". The population was expected to participate in the costs: all last wills and testaments bore a tax which was then put towards the "Building" of the Cathedral. The project was assigned to Arnolfo di Cambio in 1294, and he ceremoniously laid the first stone on September 8th 1296. The brilliant head architect of the City Council was already revolutionizing the Franciscan basilica of Santa Croce and in 1298 also started work on the construction of Palazzo Vecchio. Arnolfo worked on the Cathedral from 1296 to 1302, the year of his death, and although the dominating style of the period was Gothic, he conceived a basilica of classical grandeur, with three wide naves that meet in the vast chancel where the high altar stands, surrounded in its turn by the "trefoil" shaped tribune (a schematic representation of the petals of a flower?) on which the cupola rests. The planned diameter for this dome was 45,50 metres, just like that of the Baptistery. Thus Arnolfo spent the last few years of his life completing two bays and the new facade, which he only had time to decorate and complete by half: the sculptures (some by Arnolfo himself) were dismantled and transferred to the Museum of the Opera del Duomo when Grand Duke Francesco I de' Medici decided to construct the new facade in 1586.
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