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Linz - Culture |
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The Castle: Residence and
Barracks At
first glance, the Castle at Linz looks like an over dimensional four-sided
farmhouse, which strayed by mistake to a vantage point above the Danube.
And yet, if you delve deeply into the castle chronicle, you will find
every component of a true centre of power, one that even surprised the
Winter Palace in Vienna for a time. In 799 a "castle in Linz" in
first mentioned. From
1489 to 1493 the castle became the centre of the Holy Roman Empire under
Friedrich III. Under Emperor II, the castle, which at this time still
retained its medieval bastions and gables, was further extended, a
decision for which the local estates of the realm were partly responsible.
In order to emphasize their power, they erected a magnificent
administrative seat called the Assembly House in visual contrast to the
rather unprepossessing abode of the emperor: What other choice could he
make but to strengthen his show of power by building yet another wing to
the castle? It
is hard to imagine so much defiance in the face of its present appearance.
It is, of course, only a remnant of its former glory. A conflagration in
1800 destroyed the monumental south wing entirely and it was never
rebuilt. Today, the visitor enters the castle, which served as a prison
from 1811 to 1851 and then as a barracks until the post war era, through
the Rudolf gate, behind the castle courtyard, one reaches the older
section dating back to Fridrich´s time with its Fridrich gate. A
E I O U - "Alles Erdreich ist Österreich untertan" Meaning "All
the world is a Vassal of Austria" After
its thorough restoration in 1963, the castle of Linz has found a new
function. The Linzer Schlossmuseum, a castle museum, is now located in its
rooms and it contains a part of the collections of the Upper Austria
Provincial Museum. The emphasis, aside from collections of pre- and
ancient history, is on art history and folklore exhibits such as the
Eggelberg Triptychon, all of which keep the culture and history of Austria
truly alive.
This
multi-functional complex, which opened at the end of 1993, is an
aesthetically pleasing technical composition. The roofing skin consists of
a steel construction with glass panels and is almost 14,000 square metres.
It gives the Design Centre the fascinating effect of a daylight building.
An ingenious system allows for the possibility of making all the necessary
alterations for staging a variety of events.
The Street Spectacle in the
City Centre: For
many years now, three days in July have seen the Landstraße and the
Main Square transformed by artists into a street festival reminiscent of
those found in southern cultures. There are street musicians, clowns,
fakirs, jugglers, mimes and conjurors, artists, storytellers - in short,
people who entertain their audience in a way, which has actually become
archaic today. The Bruckner House: Not
since the building of the Maria-Empfängnis-Dom, or New Cathedral,
have the people of Linz collected donations for so long and with such
assiduity as for the Bruckner House. In 1969 the time had come - the
cornerstone for one of the most modern concert houses in the world was
laid. The architect was Heikki Siren, a Finn, who conceived a simple but
impressive round building near the Danube. The acoustics of the Great
Hall, which seats up to 1,444 people, are crystal clear and free of even
the slightest echo. A promenade area with a length of 103 metres
reveals a view of the Pöstlingberg and the hilly terrain of the
vicinity known as Mühlviertel through the monumental curved glass
walls. The house can be easily adapted as a conference centre or a
ballroom. At the festive opening in 1974, the Vienna Philharmonic under
Herbert von Karajan included a work of the Genius loci on the programme,
the 7th Symphony of Anton Bruckner. In fact, Bruckner was to remain the
guiding spirit of the house and in his honour, the "International
Bruckner Festival" is organized each autumn in which conductors
and orchestras from all over the world take part. |
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