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Innsbruck - History

 

 

Southeast from the center of Innsbruck in the midst of a large park is situated the famous Castle Ambras in Renaissance style. The Tirolean Sovereign, Archduke Ferdinand II (1529 - 1595), gave instructions to finish it as both his residential castle and a museum. The present Art and Historical Museumnow display the collections of this generous patron of the Habsburger.

You can see three armouries, as well as a chamber for art and "curiosities". In the "Hochschloss" you can find the portrait gallery of the "Habsburger" with the portraits beginning from Duke Albrecht III (1349-1395) up to Emperor Franz I (1768-1835) and those of their relatives of the European dynasties. On the ground floor is situated the collection of late mediaeval images (sculptures, paintings etc.), of which the most important and the showpiece is the Georgsaltar of Emperor Maximilian I (1459-1519).

 
The central court is decorated with ornate mural paintings; a rarity is the bathroom of Philippine Welser. At the foot of the "Hochschloss" Ferdinand II had the Spanischen Saal built. In this 40 m long representation hall the "Ambraser Schlosskonzerte" takes place every summer.

As many British enjoy the Dracula-myth, I want to mention that among the portraits there is one of the Count Vlad Tzepesch IV (15th century), the impeller, son of Count Vlad Dracul, and notorious for his atrocities. This painting from the 16th century is a copy of the oldest original (15th century).

That's what you can admire, when you are visiting the Castle Ambras. But nevertheless you can find a lot of things, which initially are not to be discovered with the unaided eye. You don't believe me? I am speaking of several nice and interesting creations by Nature and not by human beings, which are living on an ivy-covered wall of this park, which Archduke Karl Ludwig had built in the 19th century: some landshells.

Many of these snails are so small (about 1 - 3 mm) that we call them microshells. They live well hidden in leaf mould and earth among the roots of ivy. So when we want to collect them to integrate them into a collection, we can't collect them as normal sized shells but only by hand or by using tweezers. We have to take a lot of this leaf mould and earth to check it at home using magnifiers, as a lens or microscope. This is sometimes quite hard and time-consuming work, as we have first to sieve the leaf mould and earth with a sieve (riddle) at the place where we found it, to separate it from rougher material, such as stones, roots, leaves etc.

This so called "Gesiebe" (in German) we bring home to sieve it again from one to three scales, from rough to very fine using sieves with different wire-nettings to sort out later our beloved microshells. If the leaf mould is too moist, we have to let it dry near a window or at a not too shadowy place. In the rougher material you can just sort out Clausiliidae as:

Clausilia dubia dubia (Draparnaud, 1805)
Laciniaria plicata plicata (Draparnaud, 1801)
Balea biplicata biplicata (Montagu, 1803)
and Discus rotundatus (O. F. Müller, 1774) (Fam. Discidae).

In the finer material you can find the other tiny shells: Vertiginidae, Valloniidae and Punctidae (Punctum pygmaeum (Draparnaud, 1801), is our smallest European landshell).

So that you don't overlook and miss any important micro shell, you should take only a small sample at a time from the material being examined i.e. what you get can between two fingers and not more. In this way my mother sorts out the shells using a lens, fine tweezers (Leonhard-tweezers), a fine brush or a pencil and even her spitted forefinger. After sorting I help identify the shells under my stereomicroscope with magnifications from 10X to 40X.

As the shells are very fresh when collected or if recently dead, I can just use them for our
collection without cleaning them. I don't like to clean them as maybe I can ruin them. Otherwise you can put them in a cup of water with a little washing up liquid as the housewives use for their dishes for a few hours, rinse them afterwards and let them dry. But afterward they often look worse than when in their original dry condition. If they are living, you can put them into a strong solution of alcohol (more than 70%) for a few days and then let them dry. Then you can put them into your collection.

Visitors to Innsbruck's cyclorama stand, so to speak, on Bergisel and observe the events taking place around them. Thanks to the special spatial situation, observers feel like they are in the middle of the action. The figures in the upper part of the painting are life sized and seem to be looking directly at the viewer, creating a connection and a feeling of closeness. The view of Innsbruck - the city they are fighting to defend - in the distance is created by using a technique of layers and atmospheric perspective on the horizon.  

Andreas Hofer was born into a family which had for generations owned the Sandhof Inn in the Passeier Valley. As an innkeeper, a livestock trader and wine merchant, he travelled extensively through the region and made many friends and connections, including Archduke Johann. In January of 1809, Hofer and many like-minded comrades were invited to Vienna to discuss the imminent revolt. In April he mobilized the Passeier militia and marched through the Jaufen Pass to Sterzing, where they seized the town and took the Bavarian occupation forces prisoner. The militia then pursued General Bisson's troops through the Wipp Valley, inflicting substantial casualties. After the Austrian defeat at the hands of Chasteler in Woergl and the partial withdrawal of Austrian troops, Hofer mobilized the militia once again.

Hofer and his general staff during the third battle of Bergisel on August 13, 1809. Hofer was elected from among all the officers to the rank of supreme commander. The first battle of Bergisel on May 25, 1809 failed to result in the conclusive victory the militia had hoped for, so four days later they once again attacked Deroy's division, which was camped in Innsbruck. The number of troops under Hofer's command had swelled as patriots from the far corners of the province answered the call to arms. He did everything in his power to rally militiamen from all over Tyrol for the third, decisive battle of Bergisel.

Hofer was elected from among all the officers to the rank of supreme commander. The first battle of Bergisel on May 25, 1809 failed to result in the conclusive victory the militia had hoped for, so four days later they once again attacked Deroy's division, which was camped in Innsbruck. The number of troops under Hofer's command had swelled as patriots from the far corners of the province answered the call to arms. He did everything in his power to rally militiamen from all over Tyrol for the third, decisive battle of Bergisel.

After his defeat in the fourth battle of Bergisel, Andreas Hofer was forced to flee, a reward of 1500 guilders on his head. He and Kajetan Sweth, the last of his faithful followers, went into exile in a hut high up on the Pfandler Alm, a mountain pasture in his native Passeier Valley. They stayed there from late November until Hofer, betrayed by Raffl, was taken prisoner and transported to Mantua. In the meantime, Napoleon had given the order for Hofer to be put before a firing squad immediately after a formal war crimes tribunal. Just hours before his death, Hofer wrote to a friend, "Goodbye cruel world. Death comes so easily to me that there will be no tears in my eyes." Hofer was executed in Mantua on February 20, 1810.


Text of the Castle of Ambras was provided by: www.netwing.at/nisters


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